Back our thunderclap campaign!

Back our thunderclap campaign!

Love movies? Help spread the word about our exciting new movie 'Lock in'. We are trying any way we can to promote our movie and get it funded. Thunderclap is a great way to boost awareness of the project. We are looking for 100 film Fans to come on board and support us. The more people know about our movie the better the chance we have of being funded through indiegogo.

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'Lock in' Launches indiegogo campaign!

 

SYNOPSIS

Robert O’ Rourke is a prisoner in his own world, a world tainted through a haze of suspicion and doubt. To him every morning draws forth the reality that he doesn’t know who he truly is. Remembering anything beyond his present is difficult. Flashes of memories invade his consciousness but can he truly trust them?

He suffers in silence, plagued by visions he cannot control. Soon Robert awakens into a nightmare that is very real and will change him forever.

 ABOUT THE MOVIE

Lock in’ is a twisted and ambitious psychological horror from Award winning Writer/Director Malcolm Deegan. Having successfully released his debut feature film on multiple VOD platforms as well as DVD and Bluray, Malcolm set about producing a follow up project. 

Set the murky world of murder and deception it tells the story of Robert O’ Rourke, a recluse and amnesiac who lives the life of a hermit, constantly at odds with the world around him. With his mind as an unreliable guide, Robert sets out to reclaim his life. Soon he will awaken into a nightmare that is very real and will change him forever.

‘We hope to be able to do this story justice’ says Writer/Director Malcolm ‘it’s a unique and diferent approach to a psychological horror that deserves to be told. We have opted to crowd source to funding the project and maintain the vision thats intended.He continues ‘If you liked our last movie ’Fractional’ then you’re going to love this’. ‘It’s unique and very different and definitely not the conventional type of movie you see typically from Ireland. With your help we can get this intense psychological horror movie made.

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Please consider sharing our project, the wider the network of viewers the better the chance of us being funded its that simple.

 

 

 

 

Lock in press release

Lock in Teaser (s)

Why not check out our very short teaser. Trailer. Its more to set the mood of the upcomong movie. 

Synopsis

Lock In (2018)

 

Robert O' Rourke is a prisoner in his own world. He suffers in silence, plagued by visions he cannot control. Soon Robert awakens into a nightmare that is very real and will change him forever.

 

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Alien: Covenant review

Synopsis

The crew of a colony ship, bound for a remote planet, discover an uncharted paradise with a threat beyond their imagination, and must attempt a harrowing escape.
— imdb

As one of those people who grew up watching - and enjoying - the first two of the Alien movies (The third I really enjoyed visually with its grimy, grungy atmosphere but it lacked some aspects in story which where somewhat fixed by the release of the 'assembly cut' which made it a better iteration but still not perfect. The fourth movie lets just say it was very 'meh'.) I could appreciate the opening title sequence for what it was. A resetting of tone back to the traditional roots of the 'Alien' movies with its riff on Jerry Goldsmiths opening title score for 'Alien'.

However, after this brief interlude we appear back into 'Prometheus' territory with its sterile white backgrounds and talk of 'god' and 'creation' with a very appealing turn by Michael Fassbender as the android with aspirations of being a type of 'creationist' himself as he talks with his 'Father' played with intensity by Guy Pearce. It is the 'setting up' of David as a villain if we didn't already gleam that from the first movie 'Prometheus'.

I seem to be in a minority of those that quite enjoyed 'Prometheus' upon its release. While far from a perfect film it did, however, offer a visual feast for the eyes that carries on into 'Alien: Covenent'. Even though the story was lacking it did at least offer a somewhat different approach to the material.

We are firmly back in 'Alien' territory with bulkheads and long corridors, moody lighting and an ensemble cast of characters. It is these characters - mostly one dimensional - that join us on our journey to Origae-6 a habitable planet that has been ear marked for a settlement of colonists aboard the ship. A tragedy strikes aboard the ship and 'mother' is forced to wake the weary crew seven years before arriving to Origae-6. In a blink and you miss it cameo James Franco's character dies horribly in stasis setting forth the angst that Karen Waterston's character portrays for most of the running time.

The crew intercepts a transmission from another habitable planet which is closer to them so the newly appointed captain - played by Billy crudup, not relishing seven more years in stasis - sends a landing party to take surface samples and to survey it as an alternative colonising site for their mission.

foreign land.jpg

From here the atmosphere builds with a terrific looking setting as a back drop. The inevitable infection happens which sets in motion a tense sequence involving small alien hybrids that are menacing in their intensity and blood letting. The culmination of which sees the crew stranded from the mother ship with only the android 'David' for company who may have sinister intentions for them.

It is here that the movie will either lose momentum for you or have you intrigued. We spend a long time in cinematic terms visiting with 'David' as he proceeds to teach 'Walter' the new upgraded version of himself to play the flute - played admiringly with menace by Fassbender - who makes playing both roles seem effortless.

When the inevevitable set up happens and David's plan is revealed (Spoiled bizarrely by the teaser prologue released a week before the film opened) there is a race against time to abandon the planet and regroup with the mother ship.

The tension rises again when the full 'Alien' finally reveals itself and tries with all of its prowess and skill to thwart the escape. It is a skilled sequence that was somewhat sullied by showing a portion of it in the official trailer. I don't quite understand the necessity to do that. It seems to be a current trend in the marketing departments for big tent pole movies.

In essence Alien: Covenant is a hybrid movie not quite a full 'Alien' movie nor 'Prometheus'. It is a bastard child that tries to mesh the best of both movies and doesn't quite succeed. However, where it does succeed it does so quite well. In other areas you may feel slightly aggrieved as it plays as a 'best of' compilation from other 'Alien' movies without adding enough new things to the mix to make it truly great. For instants, I would say that the movie isn't scary. Gone are the long lingering build up of tension scenes. Instead there is fast cuts and quick kills purely for shock value. Ultimately, you need to build tension in order for these shock kills to really hit home. Without that its just some quick blood letting without context.

There seemed to be a few odd editing choices, ending scenes abruptly either for rating or time - the shower scene immediately springs to mind as one scene which does this - to the detriment of the movie for me. I will be interested to see if a directors cut of the movie improves on some of these scenes. 

There is hope for the franchise as the end coda does potentially set in motion an interesting story for the next installment. I am hopeful that Ridley Scott may build on this and hopefully try to create tension aswell as spectacle as I don't believe they are mutually exclusive.  

Ultimately like Prometheus before it Alien: Covenant is not perfect but it is very worthy of viewing on the big screen and does offer some interesting sequences. Good but had potential to be great.

Trailer below:

 

 

Pray for Death movie review

After a peace loving Japanese immigrant and his family become victims of a crime syndicate, a master ninja emerges.
— imdb

Recently I've been on an 80s nostagia trip re-watching movies from the era. Some bad and some good and some just weird. Its funny how your memories can colour what you thought of a movie. When I was a kid I was fascinated by ninjitsu, the martial art. I think I watched every movie ever made involving ninjas - yes even that one where all the ninjas wore neon coloured camouflage outfits. So in my mind Pray for death was a good movie. But what did I know I was only a kid and excited because I was allowed watch something violent. Cut to thirty odd years later and the movie has lost a bit of its luster but still somewhat enjoyable if not silly.

Akira Saito (Sho Kosugi) emigrates with his wife and children to America after he was pushed back for a promotion in his job. Wanting to be in control of his own destiny he plans to open a Japanese restaurant to feed the masses and heal his tortured dark soul after the death of his brother.

Upon arriving in America he visits his new home to find that he has moved into a demilitarized zone full of crack heads, drunks and drug dealers - the ideal place for a restaurant, Obviously.

Shit hole central

Shit hole central

Unbetknownst to Akira, a bunch of crooked cops store stolen goods in the abandoned restaurant - and one rogue cop decides to steel a priceless necklace names the 'Van atta necklace' (Named after the producer of the movie Don Van Atta) and a syndicate comes calling to get their property back headed by their cheif thug and sociopath called Limehouse Willie (Great Character name) played with great intensity by James Booth who also wrote the screenplay for the movie.

Limehouse Willie

Limehouse Willie

Cue all manner of Torture inflicted on Akira's Family. Kidnapping of his son, Running his wife over with a Car - Still Akira refuses to fight fire with fire instead he buries it, pushing the dark shadow away until Limehouse Willie Rapes and Murders his wife while she is in the hospital bed recovering.

Its a pretty nasty little scene and I believe that it was cut or at least trimmed from the DVD release in the USA and UK when it first came out. In fact I believe there was at least 7 minutes of cuts from the original movie which showed blood letting from attacks which were missing also. This would have made a viewing experience quite maddening - the editing is quite choppy in points to begin with so having frames lifted from the end of shots would have made it worse.

preparing for battle

preparing for battle

Akira vows to make the perpetrators 'Pray for death' and he unleashes his dark shadow and becomes a ninja once again. I actually quite enjoyed the title song 'Back to the shadow' by Peggy Abernathy It's really catchy and the entire song plays over a montage of Akira making weapons. It's one of my favourite scenes in the movie.

Although not a traditional head piece of a Ninja, a more hollywoodised interpretation but still it is quite iconic looking and when Akira adorns it he is going to battle and bring all that has crossed him to justice in a bloody singular fight of skill versus modern weaponry set in a mansion.

There is fun to be had watching Akira take down the bad guys with Arrows and shurikens. Although the choreography plays a little stilted at times, its still enjoyable for the most part. During the melee Limehouse Willie escapes and the chase is on culminating in a final battle to the death in an abandoned factory full of Maniquins.

I found this to be quite unbelievable as a ninja is essentially a highly trained and skilled assassin they wouldn't be caught by surprise - considering Limehouse Willie looked old and a little ragged it didn't play entirely real for me. But then again this is only a movie and you have to take certain artistic licence and dispel your beliefs.    

The end is nigh

The end is nigh

When the finale does arrive it is a suitably fitting end to Limehouse Willie when he is skewered to piece of lumber sliding head first into a mill saw as he begs Akira to 'Kill him' repeatedly. But there is no salvation.

Pray for death isn't a very well made movie for the most part. It was a part of cannon films trilogy of Ninja movies - which incidentally never followed a continuous story line - from Golan and Globus so they were made on the cheap and rushed out the door for profit.

There's an interesting Documentary about Cannon Films called Electric Boogaloo: The Wild, Untold Story of Cannon Films which is worth checking out as it gives you an interesting backstory to the creative forces behind some of these movies in the 80s and 90s. 

Whether 'Pray for death' is for you rests entirely on how far you can suspend your disbelief and if you expect everything to be perfect from the acting to the production on a movie - Sho Kosugi struggled with English and the more dramatic scenes so they tended to be flat and sometimes silly. But hey, you're not watching this type of movie for the thespian like acting. 

Enjoy!

 

Official Trailer of Alien: Covenant

Synopsis

Bound for a remote planet on the far side of the galaxy, the crew of the colony ship Covenant discover what they think is an uncharted paradise, but is actually a dark, dangerous world, whose sole inhabitant is the synthetic David, survivor of the doomed Prometheus expedition

 

I have to say based upon this trailer I'm pretty excited to see Alien: Covenant. It seems like its going to be more like Aliens with a mixture of the original Alien thrown in for good measure. Which to me is a good thing. Not that I didn't enjoy Prometheus. I did. It was really nicely designed and had some interesting touches. I did however, think that it left a lot of unanswered questions. But maybe that is the point of it. Something I have to say I appreciate in a movie sometimes, one that doesn't spell everything out for you in a join the dots fashion.

So here's hoping Alien: Covenant is a Alien/Aliens Mashup. Who couldn't be excited about that? With Ridley Scott at the Helm the movie will at the very least be a visual feast for the eyes. So.. so far so good. I'm sold. No more trailer watching for me. So check out the trailer above if you haven't already seen it.

Are you excited to see Alien: Covenant?

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