Avengers: Infinity war movie review

The Avengers and their allies must be willing to sacrifice all in an attempt to defeat the powerful Thanos before his blitz of devastation and ruin puts an end to the universe.
— imdb synopsis

**SPOILER ALERT - THERE WILL BE SPOILERS AHEAD**

Lets get this out of the way first. I wouldn't really be a fan of the marvel universe as a whole. I know I said it but lets get past that. Even though the movies are well produced they all fall neatly into line with the tagline 'seen it all before'. As a company line I often wondered how many movies Marvel could produce with minimal jeopardy for any heroes before they felt the need to reset the franchise.

With their tenth year of producing movies - sometimes two in a year - there is definitely a case of 'can we get this over with please' syndrome. It seems every time you look at a trailer its for a new superhero movie. In fact most of the tent pole movies every year seem to be either 'Marvel' or 'Star wars'. Don't get me wrong I love a good fantasy and SCI-FI movie. I would just prefer a little variety every now and then. At this juncture I feel they have reached their saturation point. Eighteen movies in and jet-lag has definitely hit.

But I digress - is Avengers: Infinity war any good? well, yes and no. Let me explain. I'll start with the no part first. Characters. There's far too many at this point all clamouring to get their little piece of the pie that there is literally no room for anyone. Most are relegated to throwaway lines that are essentially a regurgitation of the plot or stating the obvious jeopardy that lays ahead. Its especially noticeable in Mark Ruffalo's performance whose acting is the worst I've ever seen from him. I often thought it would be a better movie if we actually got to know any of them beyond their superficial personas. But who has time when there is a special effect explosion to get to.

And that's one of the biggest problems I had: I didn't really care about any of them. With the stakes so high in this movie it should be at a point where you feel something. But perhaps Marvel has pressed that reset button too often now that cynicism has begun to set in. In truth when the finale rolls around and most hero's are fizzled to the ether it was met with a stunted 'Oh'. There's always a catch and a way out. I don't think its going to be any different with this one. But for a momentary instant it does work and at least, even temporarily, there could be an interesting ending. But therein lies the ever present potential reset

For the most part the special effects where good with the notable exception of the exposition scenes on 'Titan' which had some really quite badly handled green screen removal. The action scenes on wikanda where quite generic, however. A mishmash of chaotic CGI and quick cuts with very little in the way ingenuity or for that matter tension. You only have to look at the recent movie ' A quiet place' which oozed tension to realise how how far apart they both are in terms of this. Its chalk and cheese. But really are we going to a Marvel movie for that or just the spectacle of things being blown up? I think we should expect both. Tension and spectacle. Sadly we don't get both.

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Now to the good. Josh Brolin as Thanos is quite compelling. I felt he was a quietly threatening presence, obviously mad and intent on carrying out an Armageddon plan to wipe out half of the universe to solve the galaxies ills. While not perfect its still a good turn. The guardians of the galaxy give a much needed burst of laughter. Their scenes are easily some of the best in the movie. The movie spins at a great pace never staying still for very long, sliding across the cosmos fulfilling various sub-plots.

And finally we come to the ending. For the first time in a Marvel movie someone dies. And it appears that some may not come back again (Except perhaps in a reboot/reset) which is somewhat refreshing and at least a decade coming. While it is an interesting ending there is an inbuilt get out clause that undermines this heavily. If Marvel uses it, which they may well do, it will erode what has come before it.

With all of the hype surrounding the movie is it justified? Well yes and no. The movie is at the very least a distracting 2 hours+ but also at the same time too long. Some characters have very little to do and are only there to see a familiar face. It suffers from Harry potteritis where the ending is split into two for convenience and the money making potential that that implies.

So should you watch it? Well if you are a die hard Marvel fan then you have probably already seen it if not then don't go in expecting anything different. Some flaws have been lessened and others created. Not perfect but not bad either. You'll already know what to expect: Big explosions and lots of colourful effects with a smattering of funny lines thrown in. It definitely doesn't break the mold in fact it only very slightly modifies it. And that modification is probably only temporary.

*** out of *****

 

 

Annihilation

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A biologist’s husband disappears. She puts her name forward for an expedition into an environmental disaster zone, but does not find what she’s expecting. The expedition team is made up of the biologist, an anthropologist, a psychologist, a surveyor, and a linguist.
— imdb

Warning possible spoilers ahead *

Having been a fan of Alex Garland I eagerly anticipated the release of 'Annihilation'. From the trailer I was expecting a slightly colorful and intriguing intellectual 'Aliens' mashup. Although taking trailers at face value will usually guarantee disappointment and with this trailer, to a certain degree, that rationale applies here.

This is not to say that the movie is bad per se just more intellectual and slow moving than anticipated which isn't necessarily a bad thing either. But having said that I can see that there's a lot of plot holes in the movie some involving setup and others motivation.

From the outset we witness a character in turmoil, Lena, played by Natalie Portman - a very talented actress - who is missing her husband after he sets off on a top secret mission into 'the shimmer'. 12 months later he reappears, walking back into Lena's life, who has misplaced her grief putting everything into her job with very little of herself remaining to 'live'.

Kane, Lena's husband is a ghost of his former self, apparently traumatized from his ordeal in 'the shimmer'. This is when he rapidly becomes sick, coughing up blood and is rushed to hospital. En-route the ambulance is intercepted and Lena et al are taken to a top secret facility across from the shimmer. So far so good.

From here the plot begins to get a little bit sketchy for me. Here she meets Dr. Ventress, played by Jennifer Jason Leigh, who interrogates her about her husband and what he has told her about his experiences in the shimmer. Dr. Ventress appears to be the controller of this operation, a psychologist by trade, who informs Lena that they are about to embark on another operation into the shimmer despite all other operations failing including sending in drones. In other words they have all previously failed and people have died along the way.

What follows next doesn't really make much sense to me. This 'death' mission is headed by a rag tag group of women with varying occupations: biologist, an anthropologist, a psychologist, a surveyor, and a linguist (The last occupation I gleaned from Imdb as I never heard it in the movie itself). They enter the shimmer, armed with weapons (Even though most of them are academics with no military training) and seemingly very little else to investigate the shimmer.

From this point I wondered why they never wore any sort of 'hasmat' type suits. They are going into an unknown area possibly of alien origin without any idea of what the air quality would be like. We were already informed no drone made it back through the shimmer and all communication ceases once inside.

They appear, as a group, not to be too concerned even when strange happenings appear around them. They are attacked at one point by a rabid crocodile, the next scene they suggest someone should 'stand guard'. Strangely this means the guard is stationed over 2oo meters away on the ground when everyone else is high and dry up on a look out platform (?!). This set up just appears to be there to create a false sense of tension and a set up for another attack.

The hybrid animals are interesting but the cinematography lets this down for me. It appears muddy with blown out highlights that are very distracting at times. Aesthetically I found the production design good for the most part up until the ending which we will get to later. 

Very little actual scientific detecting is done with in the shimmer. It appears whomever packed their backpacks decided to leave major equipment behind like night vision goggles and rubber gloves. At no point is there a concern for 'cross contamination'. With the stakes so high for humanity you would think they would have all the equipment necessary at their disposal. Which brings up another question who exactly is running this operation? It appears that Dr. Ventress is in charge, a psychologist who wouldn't know a mutated cell if one punched her in the face. With a big military presence we assume this operation is run by them. So strangely they are not accompanied by any army. It seemed like a setup to have an all female cast at the center of the story without any regard for 'story'.

Not that an all female cast makes a difference. It doesn't. They could have easily included a few female military personelle  and dropped one or two of the existing characters as they added very little to the movie at all. They just appeared there to make up the numbers and scream occasionally or bicker amongst themselves. The biggest disappointment for me is the characters. They are incredibly one dimensional. At times it appeared that the actresses were struggling to add 'life' to them. As portrayed Dr. Ventress appeared to be depressed half the time. It didn't help that they seemed to be given the direction to be stilted with their responses to each other.

When we do get to the finale we witness an area very much like 'Alien' with its chitinous living interior. Having spent so much time giving us colourful highlights to be subjected to an Alien hive felt like a misstep. Not that it looked bad, it didn't. It just felt like very lazy production design.

Some will be very disappointed by the ending and what happens after. To me it was at least interesting. I can't say that it was entirely successful, however. There seems to be a jump in logic where the final image will have you wondering why this should end in a cosy embrace. 

Overall there are some interesting ideas if you can get past the obvious flaws there may be some enjoyment. However, if you don't enjoy slow moving sci-fi movies you wont enjoy this either.

** & a half out of *****

Star Wars: the last Jedi review

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SYNOPSIS

Rey develops her newly discovered abilities with the guidance of Luke Skywalker, who is unsettled by the strength of her powers. Meanwhile, the Resistance prepares to do battle with the First Order.
— Imdb

Warning Possible spoilers ahead:

Where does one begin to review Star Wars: the last Jedi? Having sat eagerly awaiting the next installment of a Franchise I'd grown up with and enjoyed, (at least the original 3 movies and most of the Force Awakens at any rate) finally seated in a gloomy cinema watching as the opening scroll so familiar traversed across the darkened screen ended my enthusiasm for a movie that was so poorly written to be almost infantile in its execution. That may seem like a harsh criticism but allow me to explain:   

As we open on Domhnall Gleason's General Hux sneary scowl dolling out lines like an evil villain from a Christmas panto play I couldn't help but think there was somehow a mistake - someone in the projectionist booth had keyed up a funny behind the scenes outtake instead of the actual feature film by accident Surely this couldn't be the actually movie, could it? I sank deeper into my seat and tried my best to focus on the positives but it continued to shock with its failed attempt at 'dropped telephone connection' humour between Rebelion hotshot pilot Poe Dameron and general Hux . To say that this exchange was more akin to a part of Space Balls: the movie than Star wars would be an understatement. Having glossed over some reviews they lead you to believe that this installment was closer in tone to the Empire strikes back while in reality it was more akin to an unintentional comedy than a space opera. I sat there and wondered where they watching the same movie as me.

This weird structure was to continue with humour that failed seemingly every time it was attempted. Gone was the laconic smart ass-ness of Han Solo being replaced by a slap stick humour that just wasn't funny. We have a scene involving Princess Leia that was quite simply silly - it would have been better served for her to simply die at that point at least it would have created some gravitas as it stands she comes across as some sort of super hero who cannot be killed.

Minor plot holes I can forgive but a blatantly poorly written plot I cannot. What ensues for most of the movie is a slow motion chase across space that makes literally no sense. The rag tag rebellion fleet is quickly running out of fuel and has only enough to make one more light jump but the only snag is that the 'First Order' can track them through the 'light jump' and remain on their tails. This begs the question: why didn't the first order simply surround them and obliterate their ships into tiny particles? In the original movies the star destroyers where incredibly fast moving. In this they are hulking beasts travelling at a snails pace while the rebellion ships have shields that can continuously repel bombardment for hours on end. The logic here is simply bad and just an excuse to create a subplot for Finn to go to attempt to rescue the ship. Which, by the way, is another major misstep. An OTT CGI mess where Horse creatures are seemingly more important than human children. Why would you free race horses and not the slave children? Yeah, exactly that doesn't make any sense either... anywhoo...  

The muddled plot continues when we visit Luke Skywalker and Rey. She wishes to try to bring Luke Skywalker back with her to balance the force and rebuild hope in the rebellion which is fine. I can even get on board with the fact that Luke is now a loner and doesn't want anything to do with the rebellion, having made drastic mistakes training the future Jedi knights. But the motivations of Rey and her temptation at the hands of the dark side of the force seem laboured and without character. It is just a matter of convenience to try to bring Rey and Kylo Ren back together again. Luke Skywalker as a character is now wasted and what was considered by many to be an iconic screen hero is reduced to a bumbling old man who has divorced himself from the force in favour of living a life as a hermit.

It just makes me wonder how a script like this could be read and not notice all of the plot holes in it. With so much money gambling on a movie as big as this do Disney simply just believe they will make a ton of money no matter what sort of Star Wars movie they cobble together? Ensemble movies are notoriously difficult to get right. The ability to hit the highs while maintaining the tone of the original is incredibly difficult. With the advent of more impressive special effects and the ability to blow up everything into a million impressive pieces we've forgotten the golden rule of cinema: Character. Impressive special effects will never gloss over the fact that a screenplay is poorly written. Motivation is key. Conflict is paramount and character is king.

In Star Wars we have forgotten that sense of wonder where the continuous battle of good versus evil hangs in the balance and love and faith are what holds the universe together, binds us in an ever increasing circle. Spectacle has replaced poignancy and motivation and it is a lesser movie because of it.

When all is said and done the worst travesty of the movie is the simple fact that you don't actually care about anything or anyone in it. It's all flash and no substance. Poorly executing a screenplay with more plot holes than the average block of swiss cheese 'if we throw in enough lightsabre's perhaps they wont even notice'. A sleight of hand designed to rob of your wares like a street magician who silently picks your pocket while earnestly looking into your eyes. 

The force is not strong with this one. 

Rating ** out of ***** 

 

Fractional lands on DVD & BLURAY!

Link to barnes and Noble: http://bit.ly/fractional_blu-ray

A psychiatrist, John Hatchett wakes up tied to a chair in an abandoned warehouse. Left with no food, water or chance of escape John's only weapons are his mind and he must use them to full effect. David Crowe is a former patient and one who is not of sound mental capacity... not eveything John Hatchett says is as it seems. John Has a past that he wishes to remain a secret... a secret David crowe is willing to do anything to reveal... 

Find our short bluray release trailer here:

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Back our thunderclap campaign!

Back our thunderclap campaign!

Love movies? Help spread the word about our exciting new movie 'Lock in'. We are trying any way we can to promote our movie and get it funded. Thunderclap is a great way to boost awareness of the project. We are looking for 100 film Fans to come on board and support us. The more people know about our movie the better the chance we have of being funded through indiegogo.

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'Lock in' Launches indiegogo campaign!

 

SYNOPSIS

Robert O’ Rourke is a prisoner in his own world, a world tainted through a haze of suspicion and doubt. To him every morning draws forth the reality that he doesn’t know who he truly is. Remembering anything beyond his present is difficult. Flashes of memories invade his consciousness but can he truly trust them?

He suffers in silence, plagued by visions he cannot control. Soon Robert awakens into a nightmare that is very real and will change him forever.

 ABOUT THE MOVIE

Lock in’ is a twisted and ambitious psychological horror from Award winning Writer/Director Malcolm Deegan. Having successfully released his debut feature film on multiple VOD platforms as well as DVD and Bluray, Malcolm set about producing a follow up project. 

Set the murky world of murder and deception it tells the story of Robert O’ Rourke, a recluse and amnesiac who lives the life of a hermit, constantly at odds with the world around him. With his mind as an unreliable guide, Robert sets out to reclaim his life. Soon he will awaken into a nightmare that is very real and will change him forever.

‘We hope to be able to do this story justice’ says Writer/Director Malcolm ‘it’s a unique and diferent approach to a psychological horror that deserves to be told. We have opted to crowd source to funding the project and maintain the vision thats intended.He continues ‘If you liked our last movie ’Fractional’ then you’re going to love this’. ‘It’s unique and very different and definitely not the conventional type of movie you see typically from Ireland. With your help we can get this intense psychological horror movie made.

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Please consider sharing our project, the wider the network of viewers the better the chance of us being funded its that simple.

 

 

 

 

Lock in press release

Lock in Teaser (s)

Why not check out our very short teaser. Trailer. Its more to set the mood of the upcomong movie. 

Synopsis

Lock In (2018)

 

Robert O' Rourke is a prisoner in his own world. He suffers in silence, plagued by visions he cannot control. Soon Robert awakens into a nightmare that is very real and will change him forever.

 

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Alien: Covenant review

Synopsis

The crew of a colony ship, bound for a remote planet, discover an uncharted paradise with a threat beyond their imagination, and must attempt a harrowing escape.
— imdb

As one of those people who grew up watching - and enjoying - the first two of the Alien movies (The third I really enjoyed visually with its grimy, grungy atmosphere but it lacked some aspects in story which where somewhat fixed by the release of the 'assembly cut' which made it a better iteration but still not perfect. The fourth movie lets just say it was very 'meh'.) I could appreciate the opening title sequence for what it was. A resetting of tone back to the traditional roots of the 'Alien' movies with its riff on Jerry Goldsmiths opening title score for 'Alien'.

However, after this brief interlude we appear back into 'Prometheus' territory with its sterile white backgrounds and talk of 'god' and 'creation' with a very appealing turn by Michael Fassbender as the android with aspirations of being a type of 'creationist' himself as he talks with his 'Father' played with intensity by Guy Pearce. It is the 'setting up' of David as a villain if we didn't already gleam that from the first movie 'Prometheus'.

I seem to be in a minority of those that quite enjoyed 'Prometheus' upon its release. While far from a perfect film it did, however, offer a visual feast for the eyes that carries on into 'Alien: Covenent'. Even though the story was lacking it did at least offer a somewhat different approach to the material.

We are firmly back in 'Alien' territory with bulkheads and long corridors, moody lighting and an ensemble cast of characters. It is these characters - mostly one dimensional - that join us on our journey to Origae-6 a habitable planet that has been ear marked for a settlement of colonists aboard the ship. A tragedy strikes aboard the ship and 'mother' is forced to wake the weary crew seven years before arriving to Origae-6. In a blink and you miss it cameo James Franco's character dies horribly in stasis setting forth the angst that Karen Waterston's character portrays for most of the running time.

The crew intercepts a transmission from another habitable planet which is closer to them so the newly appointed captain - played by Billy crudup, not relishing seven more years in stasis - sends a landing party to take surface samples and to survey it as an alternative colonising site for their mission.

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From here the atmosphere builds with a terrific looking setting as a back drop. The inevitable infection happens which sets in motion a tense sequence involving small alien hybrids that are menacing in their intensity and blood letting. The culmination of which sees the crew stranded from the mother ship with only the android 'David' for company who may have sinister intentions for them.

It is here that the movie will either lose momentum for you or have you intrigued. We spend a long time in cinematic terms visiting with 'David' as he proceeds to teach 'Walter' the new upgraded version of himself to play the flute - played admiringly with menace by Fassbender - who makes playing both roles seem effortless.

When the inevevitable set up happens and David's plan is revealed (Spoiled bizarrely by the teaser prologue released a week before the film opened) there is a race against time to abandon the planet and regroup with the mother ship.

The tension rises again when the full 'Alien' finally reveals itself and tries with all of its prowess and skill to thwart the escape. It is a skilled sequence that was somewhat sullied by showing a portion of it in the official trailer. I don't quite understand the necessity to do that. It seems to be a current trend in the marketing departments for big tent pole movies.

In essence Alien: Covenant is a hybrid movie not quite a full 'Alien' movie nor 'Prometheus'. It is a bastard child that tries to mesh the best of both movies and doesn't quite succeed. However, where it does succeed it does so quite well. In other areas you may feel slightly aggrieved as it plays as a 'best of' compilation from other 'Alien' movies without adding enough new things to the mix to make it truly great. For instants, I would say that the movie isn't scary. Gone are the long lingering build up of tension scenes. Instead there is fast cuts and quick kills purely for shock value. Ultimately, you need to build tension in order for these shock kills to really hit home. Without that its just some quick blood letting without context.

There seemed to be a few odd editing choices, ending scenes abruptly either for rating or time - the shower scene immediately springs to mind as one scene which does this - to the detriment of the movie for me. I will be interested to see if a directors cut of the movie improves on some of these scenes. 

There is hope for the franchise as the end coda does potentially set in motion an interesting story for the next installment. I am hopeful that Ridley Scott may build on this and hopefully try to create tension aswell as spectacle as I don't believe they are mutually exclusive.  

Ultimately like Prometheus before it Alien: Covenant is not perfect but it is very worthy of viewing on the big screen and does offer some interesting sequences. Good but had potential to be great.

Trailer below:

 

 

Pray for Death movie review

After a peace loving Japanese immigrant and his family become victims of a crime syndicate, a master ninja emerges.
— imdb

Recently I've been on an 80s nostagia trip re-watching movies from the era. Some bad and some good and some just weird. Its funny how your memories can colour what you thought of a movie. When I was a kid I was fascinated by ninjitsu, the martial art. I think I watched every movie ever made involving ninjas - yes even that one where all the ninjas wore neon coloured camouflage outfits. So in my mind Pray for death was a good movie. But what did I know I was only a kid and excited because I was allowed watch something violent. Cut to thirty odd years later and the movie has lost a bit of its luster but still somewhat enjoyable if not silly.

Akira Saito (Sho Kosugi) emigrates with his wife and children to America after he was pushed back for a promotion in his job. Wanting to be in control of his own destiny he plans to open a Japanese restaurant to feed the masses and heal his tortured dark soul after the death of his brother.

Upon arriving in America he visits his new home to find that he has moved into a demilitarized zone full of crack heads, drunks and drug dealers - the ideal place for a restaurant, Obviously.

 Shit hole central

Shit hole central

Unbetknownst to Akira, a bunch of crooked cops store stolen goods in the abandoned restaurant - and one rogue cop decides to steel a priceless necklace names the 'Van atta necklace' (Named after the producer of the movie Don Van Atta) and a syndicate comes calling to get their property back headed by their cheif thug and sociopath called Limehouse Willie (Great Character name) played with great intensity by James Booth who also wrote the screenplay for the movie.

 Limehouse Willie

Limehouse Willie

Cue all manner of Torture inflicted on Akira's Family. Kidnapping of his son, Running his wife over with a Car - Still Akira refuses to fight fire with fire instead he buries it, pushing the dark shadow away until Limehouse Willie Rapes and Murders his wife while she is in the hospital bed recovering.

Its a pretty nasty little scene and I believe that it was cut or at least trimmed from the DVD release in the USA and UK when it first came out. In fact I believe there was at least 7 minutes of cuts from the original movie which showed blood letting from attacks which were missing also. This would have made a viewing experience quite maddening - the editing is quite choppy in points to begin with so having frames lifted from the end of shots would have made it worse.

 preparing for battle

preparing for battle

Akira vows to make the perpetrators 'Pray for death' and he unleashes his dark shadow and becomes a ninja once again. I actually quite enjoyed the title song 'Back to the shadow' by Peggy Abernathy It's really catchy and the entire song plays over a montage of Akira making weapons. It's one of my favourite scenes in the movie.

Although not a traditional head piece of a Ninja, a more hollywoodised interpretation but still it is quite iconic looking and when Akira adorns it he is going to battle and bring all that has crossed him to justice in a bloody singular fight of skill versus modern weaponry set in a mansion.

There is fun to be had watching Akira take down the bad guys with Arrows and shurikens. Although the choreography plays a little stilted at times, its still enjoyable for the most part. During the melee Limehouse Willie escapes and the chase is on culminating in a final battle to the death in an abandoned factory full of Maniquins.

I found this to be quite unbelievable as a ninja is essentially a highly trained and skilled assassin they wouldn't be caught by surprise - considering Limehouse Willie looked old and a little ragged it didn't play entirely real for me. But then again this is only a movie and you have to take certain artistic licence and dispel your beliefs.    

 The end is nigh

The end is nigh

When the finale does arrive it is a suitably fitting end to Limehouse Willie when he is skewered to piece of lumber sliding head first into a mill saw as he begs Akira to 'Kill him' repeatedly. But there is no salvation.

Pray for death isn't a very well made movie for the most part. It was a part of cannon films trilogy of Ninja movies - which incidentally never followed a continuous story line - from Golan and Globus so they were made on the cheap and rushed out the door for profit.

There's an interesting Documentary about Cannon Films called Electric Boogaloo: The Wild, Untold Story of Cannon Films which is worth checking out as it gives you an interesting backstory to the creative forces behind some of these movies in the 80s and 90s. 

Whether 'Pray for death' is for you rests entirely on how far you can suspend your disbelief and if you expect everything to be perfect from the acting to the production on a movie - Sho Kosugi struggled with English and the more dramatic scenes so they tended to be flat and sometimes silly. But hey, you're not watching this type of movie for the thespian like acting. 

Enjoy!

 

Official Trailer of Alien: Covenant

Synopsis

Bound for a remote planet on the far side of the galaxy, the crew of the colony ship Covenant discover what they think is an uncharted paradise, but is actually a dark, dangerous world, whose sole inhabitant is the synthetic David, survivor of the doomed Prometheus expedition

 

I have to say based upon this trailer I'm pretty excited to see Alien: Covenant. It seems like its going to be more like Aliens with a mixture of the original Alien thrown in for good measure. Which to me is a good thing. Not that I didn't enjoy Prometheus. I did. It was really nicely designed and had some interesting touches. I did however, think that it left a lot of unanswered questions. But maybe that is the point of it. Something I have to say I appreciate in a movie sometimes, one that doesn't spell everything out for you in a join the dots fashion.

So here's hoping Alien: Covenant is a Alien/Aliens Mashup. Who couldn't be excited about that? With Ridley Scott at the Helm the movie will at the very least be a visual feast for the eyes. So.. so far so good. I'm sold. No more trailer watching for me. So check out the trailer above if you haven't already seen it.

Are you excited to see Alien: Covenant?