Thriller

'the gentlemen’ movie review

 
The gentlemen - MD movie review blog

The gentlemen - MD movie review blog

A British drug lord tries to sell off his highly profitable empire to a dynasty of Oklahoma billionaires.
— imdb
 

‘The Gentlemen’ is Guy Ritchie returning to his gangster roots again. A gentrified cousin to ‘Lock stock’ and ‘Snatch’ it features once again a motley crew of eccentric characters, double deals and a sleight of hand.

Opening with ‘Fletcher’ (played by Hugh Grant) a sleazy investigative journalist, who seizes an opportunity to try to blackmail Mickey Pearson (Matthew Mc Conaughey) for a cool twenty million regaling his ‘Fixer’ Ray (Charlie hunnam) about Mickey’s clandestine drug business which he intends to air publicly on the front page of a sleazy rag headed by the ruthless editor ‘Big Dave’ (Eddie Mardan).

Told in a slightly muddled flashback we follow Mickey and Ray as they try to negotiate an uneasy sale of their ‘weed business’ to ‘Matthew’ (Jeremy Strong) when a young gangster called ‘Dry eye’ (Henry Golding) interferes causing mayhem.

There are quite a few subplots to the movie. Initially when we open with Fletcher (Grant) telling us in unnecessarily Tarantino-esque dialogue about his master plan I thought I was going to be in for a very long viewing experience. Charlie Hunnam really didn’t inspire me with confidence either, his performance in these early scenes slightly wooden, unsure himself of what exact way to play his character. It is fortunate for the movie that he eventually settles into the role and gives a decent performance. Grant on the other hand plays his socks off, enjoying the chance to play a vile newsman especially timely considering his recent run-ins with newspaper publications.

The dialogue exchanges here giving the movie an unintentional 90’s feel copying Tarantino’s lilt without his timing or sense of style. McConaughey fairs better but it is an easy role for him, never stretching him in any way, he glides through the movie giving him a somewhat uninspired if enjoyable character. The same could be said for Michelle Dockery who gets the least to do and is only there to be used as a ‘female in jeopardy’ otherwise her character is forgettable and could have been played by anyone. Indeed it could be said that their relationship together gets somewhat sidelined and underserved.

Not to say that the movie is bad, it’s not. It’s an enjoyable caper if somewhat muddled at points. The eccentric side characters making far more interesting viewing no more so than Colin Farrell’s ‘Coach’ who teaches boxing to a rag tag of borderline degenerates. His scenes are entertaining and witty, played with his tongue firmly in his cheek.

It sometimes, however, gives the feeling that the whole movie is a little incoherent as the main plot of the story gets somewhat sidelined in favour of more interesting things. Jeremy Strong’s character ‘Matthew’ a case in point where he had potential to be an interesting villain, he gets relegated and diffused to the point where he doesn’t seem very important at all. This gives the ending a somewhat anticlimactic feel.

Overall ‘The Gentlemen’ is an enjoyable movie. It’s not perfect nor would I say it is better than ‘Snatch’. It’s different but the same. A slightly less chaotic Ritchie gone are most of the speed ramping effects which I’m thankful for. A slightly more sedate entry into his ‘mockney’ crime filmography but enjoyable nonetheless.

 
 

Rambo last blood movie review

 
Rambo last blood poster - movie review blog - maldeegan.com/blog

Rambo last blood poster - movie review blog - maldeegan.com/blog

 

Rambo must confront his past and unearth his ruthless combat skills to exact revenge in a final mission.
— Imdb
 

The movie First Blood was one of the seminal action movies of the 80s. Directed by Ted Kochef it brought to life the character of John Rambo, a traumatized Vietnam vet shunned by society, spit upon and denounced. A seething ball of pent up aggression unchecked by a greedy army general whose killing machine has malfunctioned into a wandering hobo in search of a home and finding none.

The first outing a chilling indictment of Vietnam a war no-one wanted, scarring the lives of those who entered it leaving them shell shocked and weary misfits. Stallone's portrayal of Rambo a career highlight.

We zoom forward 40 years or so later to Rambo: last blood a pale, almost unrecognisable photocopy of a Rambo movie. An ultra violent cartoon with some genuinely shoddy acting and unconvincing direction.

Here John Rambo is living a hermits existence at his father's ranch. Hiding himself bizarrely in a set of underground tunnels constructed around his desert home living like a tunnel rat. In this outing Stallone is subdued, seething with barely contained anger, traumatised by visions of the dead kept at bay by a cocktail of prescription drugs and clean honest graft. His love for his pseudo daughter Gabriel played by Yvette monral is tested when she crosses the border into Mexico to find her estranged father.

While there she is Groomed and sold by her supposed friend Giselle to a ruthless gang of traffickers who kidnap Gabrielle, forcing her into a life of coerced prostitution.

Once Rambo learns of this he must embark on one final mission to find and retrieve his adoptive daughter. Things however, do not go to plan finding himself initially outgunned and beaten to bloody pulp to be strangely 'let go' by these gangsters, branding him instead like cattle. Chillingly they inform him his 'daughter' will also pay a similar price and leave him to rot in the barren streets of Mexico.

Gabriel meanwhile is being hooked on Heroin and forced into grisly sexual acts with nameless patrons in the dingiest brothal ever invented. John Rambo must unleash his inner warrior once again and rescue her.

In a bloody-minded rescue Rambo escapes with Gabriel to have her die of an overdose setting in motion revenge of the bloodiest kind.

Contrived and at times poorly executed Rambo: last blood is a mixed bag filled with weirdly stilted acting and ultra violent deaths.

Initially the concept of a ‘Rambo western’ was intriguing but this concept was jettisoned in deference to a clichéd gangster setup and contrived story beats. When all is said and done Rambo: last blood isn't a very good movie. It's a shameless cash in with strangely TV aesthetics; instead of a fitting end to a franchise we get a damp squib that fails to excite, going through the motions like the story itself ticking boxes until the blood-letting begins.

When the inevitable finale in the underground tunnels comes round there is some flashes of interest but it reeks of repetition. Once you've seen one gruesome death you've seen them all. Which is a shame because there was potential to make this sequence interesting and filled with tension.

Ultimately Rambo: last blood is forgettable. A less than adequate ending to a classic character who was given short shrift by a poorly written script and lifeless direction.

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